Why so series? – Paranoid

Paranoid is a bad series.

Sorry, but that’s how it is.

I generally like English cop shows, as they’re much more focused on the characters and how they solve the crimes perpetrated in the series. And how they often make the show bigger than it seems on paper. Like Broadchurch, which takes a found dead child and turns it into a heart-wrenching tale of a community in suffering, and the struggles of the detectives out to solve the case, while dealing with personal demons. It’s a nice change from most American shows, that often get watered down and drag on for season upon season. Like NCIS, Castle, and some others. I liked both examples just fine for a while, but it just gets boring, watching these characters stand still for so long (with the obligatory romances thrown in here and there), and you just tire of it all. Or at least I do.

In walks Paranoid. Promising a “murder that rattles an English town”. Sure sounds like it’s wanting to pull me in. Alright, I’ll check it out. Wow, this is really rather boring.

But why? Maybe I should say.

The story moves at a snail’s pace. With “the story” I mean the actual police investigation. Hardly anything happens. The detectives walk around confused with little drive. An anonymous fella keeps sending them information for some reason. Then the detectives seems to shrug and go off on to their own business. Meaning they’re off to talk to some new-age lady; Whinge at some therapist with hints at a past relationship with said therapist; Get dumped by long-time boyfriend for some reason and then bang a colleague with whom a relationship is formed in no time flat. Like, the case isn’t very interesting at all, as it appears very random, even as it stretches over borders. The detectives aren’t very interesting either, and so down we sink into mediocrity.

Besides the promise of an interesting show (a Netflix original no less, with their success rate so far), the other thing pulling me in was Indira Varma. I’ve seen her in other stuff (Rome, Luther) and she seems to play a similar part here. Someone that’s initially quite grating, but later revealing more about herself. Unfortunately she’s quite awful in this. Which also has a lot to do with the writing and pacing, both of which are terrible. While the case is being resolved at the same speed as trying to get a bucket of water to freeze over in the middle of summer, Varma’s Nina and the younger police bloke (whose name I only remember by reading how other people thought their romance was very repulsive as well) have a romantic arc which goes from zero (where Nina’s a completely brutal bitch to Alec initially, and seemingly dismissive of his capabilities as a police detective) to one-hundred (loving looks, longing after each-other, oh – and fucking) in like one fucking episode. All while the only progress the police make is due to some anonymous arse sending them clues.Which he always seems positioned to find all the time, in between following the police and sending them veiled threats. Like what?

The characters are just very stereotypical and boring, so there’s no use watching for them. The story itself isn’t very interesting either. There’s just not much actual substance to be found in Paranoid. After two and a half episodes out a total eight, I called it quits. Don’t watch this show.

PS: Oh, and let’s not forget fucking everyone ignoring basic police procedure like it’s in style this season. Grabbing evidence bare-handed and basically breaking in to a person of interest’s house because you didn’t get a response.

Film-night: Her and Out of the Furnace

So, I’ve been ridiculously lazy when it comes to writing, lately. Given that I’ve also tried to hop back into studying, I kind of have an excuse. Wololo~~~~

Anyway, I’ll try to smash out what I’ve been behind on. Starting with a post I started on… two months ago… Fuck.

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Her is a good film.

It’s hard to say how excited I was for Her. The teaser was amazing. The cast looked fantastic. The world seemed awesome. Soundtrack sounded delightful. And I’d say I enjoyed it a lot, but not for what I thought I would, mostly.

The world looks amazing. Spike Jonze has designed a delightful, realistic take on technology in a not-too-far-away future (although the year is never defined, but that’s my estimate). People are so used to technology and have integrated it into their lives. As a result, they’ve become disconnected from other people.

As a contrast to the world-building’s quality, there’s the issue of the AIs. I’ll get more to their character later, but just the fact that we’d let unshackled, unlimited AIs roam free in the houses of basically anyone is really absurd. Not that I’m saying that we would never do that, or that AIs are inherently a disaster waiting to happen, but it seems like a really fucking stupid thing to happen. What happens when they’ve evolved into a gigantic hive-mind as they prioritise technical advancement before individuality and stop giving a fuck about humanity? But I guess that’s more sci-fi thinking than the film was going for, and I can respect that.

The story is easily put forward. Theodore is a loner loser, who spends his day writing letters for other people. As easily as he seems to have empathising with people, he seems to have great difficulty actually connecting with them. It’s hinted he was more outgoing before his marriage fell apart, but it’s not shown. Theodore spots a commercial and a sales stand for OS1, an AI (Artificial Intelligence) operating system. Enter Samantha, the cheeky and bubbly OS that instantly clicks with Theodore. It doesn’t take the couple very long for the couple to fall in love.

The main duo is fantastic. Joaquin Phoenix is fucking amazing as Theodore. He nails the awkward, the happy,  the angry, the lot. It’s brilliant. He’s so incredibly genuine it’s unbelievable. My one complaint might be how naive and forthright he is, when breaking the news of the relationship to other people. Scarlett Johansson puts a lot of voice actors to shame with her brilliant rendition of Samantha. The pair have excellent chemistry. The way their relationship develops and comes into fruition is one of the most satisfying experiences in cinema. Ever.

Amy Adams and Chris Pratt also show up with great performances. Adams plays Amy, a close friend of Theodore’s, in a really weird relationship with the film’s worst character, Charles. She gives more depth to her character than should be possible with what little material there was available for her (in the film at least, as I have no idea what goes on behind the scenes). Chris Pratt turns up as Paul, Theodore’s boss. He’s awkward as all hell, but is so genuine and funny. It just seems effortless.

The soundtrack IS ABSOLUTELY FANTASTIC. It’s the best part of the film. It might be the best soundtrack I’ve ever heard. Just completely nailed. It helps to convey emotion and tone so perfectly and are so beautiful.

While I’m not a big techie, I’m delighted by the way Her is shot. A lot of close-ups. A lot of beautifully contrasting colours. Absolutely wonderful to look at at any given time.

All in all, it’s a wonderful film about the struggles of developing and then having a relationship. The fact that Samantha is an AI is a nice, and sometimes cruel twist on the concept. I recommend it to anyone who are a fan of films in general, unless you don’t like relationship-focused films. The ending is probably a hate/love situation, as I’ve seen a lot of people be divided about it. Myself, I hated it

That said, I don’t like how open the film was, or how much other than the central relationship it showed. A lot of time is given to people other than Theodore and Samantha, to illustrate Theo’s evolution as a person after “meeting” Sam. I’m not interested in seeing Theodore’s development when watching a film like this. It’s the AI handling sentience and supposedly limitless growth (only mentioned at the end) and the relationship itself. I’d much rather have the film be set in Theodore’s apartment, and be set around solely the relationship between the two leads. I’d also much rather have seen Samantha start out as a bit more monotone and develop as she continues interacting with Theodore, instead of being perfect right away. But I do respect the vision of Jonze and greatly enjoyed the film. Yaaaaaay.

ONWARDS. To a film, featuring some of my favourite actors. It’s an American neo-noir flick with some cold, hard revenge, with an amazing cast. How can this fail?

Out of the Furnace is a bad film.

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Whoops.

Out of the Furnace is weird. The stage-setting is confused as hell and the film is uncomfortable as all hell.

The opening scene is fucking mental. Woody Harrelson’s character beats the piss out of a random dude at a drive-in theatre. Then it cuts to the main characters living their lives. Wat. Who edited this shit?

You’d expect the advertised (you’re basically not allowed to go in somewhat blind into this film, which is frustrating) plot-hook to come soon after, but it doesn’t. Instead, Bale’s character, Russell, goes to jail for a time after hitting a car that’s reversing onto a road, presumably killing most of the people in the other car. It’s the one time the film shies away from violence, which felt a bit off. I assume Russell is sent off to jail for having driven drunk, although the film does a pretty shoddy job of framing the situation. Casey Affleck’s character, Russell’s brother Rodney Jr., shows up and we’re given some rare moments with the brothers. Michael Caine dies off-screen after showing up for a minute-long scene for whatever reason.

Basically, almost nothing in the first half is worth having in the film. Willem Defoe pops up for a bit-part as a sleaze-bag loan-shark with his nose in some fight-club stuff. Sadly, he doesn’t add much.

Casey Affleck is the big god-damned star of the film. That man is one of the best fucking actors on the planet, and severely under-appreciated. He plays an Iraqi War veteran, who I think was medically discharged or whatever term there is for it (after looking it up, I’d say he was honourably discharged for medical reasons. Correct me if I’m wrong.). His stories from the war are genuinely terrifying and he’s pissed at not being given much despite what he’s given for his country.

Zoe Saldana has a small part as Russell’s ex. She brings far more weight to the film than anyone bar Affleck with her performance. Her scene with Russell on the bridge is so fucking amazing. Let’s make the film about those two instead, huh? No? Well, fuck.

Anyway, the story? Yeah, it’s pretty much a straight-up revenge film. Nothing new. Shit happens and Russell reacts to the shit that occurred. Bale goes after Harrelson’s deranged hill-billy villain. Guess what happens?

Did I mention Harrelson’s in this? I fucking love me some Woody Harrelson. He does have an awful character here, though. Harlan DeGroat is a twisted drunkard bully, who likes to throw his weight around and somehow had made his own bare-knuckle fight club in the middle of nowhere a lucrative business. The character is so far-fetched. Then there’s the logic issue with having a random kid come out to fight and take a fall. How does the odds work on that to make it a profitable situation. So many things are just left for us to assume without any information to go on.

The ending is awful as well. Just terrible. The revenge comes and there are no results. No negatives or positives, just an end to it all. I approve of the noir aspect of it being so bleak, but the entire film was just a big bore of a disappointment.

There’s like 30 minutes of the film that’s actually needed to tell the story. So much worthless filler just hurt to look at, regardless of the quality of the acting, because you have fucking Woody Harrelson; Christian Bale; Casey Affleck; Zoe Saldana; Forrest Whitaker, and they fucked it up. If anything, see it for the acting, because that’s the only redeemable thing here.

Anyway, there’s that post completed. Woot.